POEM OF THE WEEK #2


Arthur Sze

Arthur Sze's poems re-envision the smashed-together fragments of modernist collage through the preternatural equipoise of a Zen monk. Violence and beauty exist simultaneously but incommensurably, though the massive cultural sweep of the poem somehow encompasses them. Born in New York in 1950, he now lives in Pojoaque, New Mexico, where he teaches at the Institute of American Indian Arts. His retrospective collection The Redshifting Web: Poems 1970-1998 was published by Copper Canyon Press in 1998, which will issue his new book, Quipu, in 2005.

 

Spring Smoke

The minutes ooze into a honeycomb gold.
He reads in a recently discovered notebook

that in 1941 his grandfather refused
to collaborate with the puppet government

and was kidnapped in Shanghai, held
in a smoky loft where he breathed

through a hole in the roof while his captors
unloaded, reloaded revolvers, played

mahjong. He pauses to adjust the light,
wonders if the wasp nest lodged on a beam

in the shed is growing. His grandfather
describes a woman who refused to tell

where her husband was until they poured
scalding tea down her throat and crushed

her right hand in a vise. He glances up
but cannot discern stars through the skylight.

He senses smoky gold notes rising out
of a horn and knows how easy it is

to scald, blister, burst. This morning
when he drew back a wood slat

to swing the gate, he glimpsed a young
pear tree blossoming in the driveway.


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