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POEM OF THE WEEK #2
Arthur Sze
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Arthur Sze's
poems re-envision the
smashed-together fragments of modernist collage through the preternatural equipoise of a Zen monk. Violence and beauty
exist simultaneously but incommensurably, though the massive cultural sweep of the poem somehow encompasses them. Born
in New York in 1950, he now lives in Pojoaque, New Mexico, where he teaches at the
Institute of American Indian Arts. His retrospective collection
The Redshifting Web: Poems 1970-1998
was published by Copper Canyon Press in 1998, which will
issue his new book, Quipu, in 2005. |
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Spring Smoke
The minutes ooze into a honeycomb gold.
He reads in a recently discovered notebook
that in 1941 his grandfather refused
to collaborate with the puppet government
and was kidnapped in Shanghai, held
in a smoky loft where he breathed
through a hole in the roof while his captors
unloaded, reloaded revolvers, played
mahjong. He pauses to adjust the light,
wonders if the wasp nest lodged on a beam
in the shed is growing. His grandfather
describes a woman who refused to tell
where her husband was until they poured
scalding tea down her throat and crushed
her right hand in a vise. He glances up
but cannot discern stars through the skylight.
He senses smoky gold notes rising out
of a horn and knows how easy it is
to scald, blister, burst. This morning
when he drew back a wood slat
to swing the gate, he glimpsed a young
pear tree blossoming in the driveway.
POEM ARCHIVE
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